Ted Lasso was always a ticking time bomb

Ted Lasso was great despite a foundational story problem that was ultimately its undoing.

I really liked “Ted Lasso.”

The 1st two seasons were fantastic.

The third season was always going to be a problem not so much because it was the final season, but because there was a clock on “Ted Lasso” that had been ticking since the very first episode. It’s impressive that the show managed to delay it as long as it did.

The moment I knew that “Ted Lasso” had me was the end of the 1st episode when he moves into his new apartment. It’s an incredibly sad scene and it speaks to the fact that the show, while funny and optimistic, would also have real moments of poignancy.

That scene was sad because it was Ted starting his life over away from his loved ones. Coach Beard might have been there, but it still felt incredibly lonely. It would have been enough just with his marriage ending, particularly given the history the show would layer in for Ted and his wife.

For this dad of two, though, it was even more heartbreaking because Ted had left behind his son.

Perhaps if “Ted Lasso” hadn’t already been a season deep when I started watching it, I wouldn’t have been able to ignore that elephant in the room. Maybe being able to binge a full season was enough to distract me, whereas if I’d had a week in between it would have been harder to rationalize.

The bottom line is this: Ted left his son.

His wife wanted space and Ted, a successful college football coach, moved to another country, 4300 miles away from his only child.

Like a fucking asshole.

Ted and the Lassos

We never see the other side of it. Ted left because his wife wanted space, and while he was gone they got divorced and his wife started dating someone. At some point Henry would have blamed someone for what happened, and once Michelle started dating it was going to be her. There would have been regular calls about it.

But there weren’t, not on the show, because the best thing they could do was ignore it as much as possible. The times when they did incorporate Henry into the show only served to underscore that Ted was an asshole for what he’d done, yet no one was calling him out on it, not even the team psychiatrist.

Well, no one but Nate, who was vilified for it.

The final season was going to be a problem not because it had to wrap the story up, but because the show had gone two full seasons avoiding Ted’s horrible decision, and season three — regardless of whether it was the last season or not — had no choice but to deal with the beating heart under the floor boards.

And that was going to be tricky, because it’s hard to walk a tight rope of “Ted is a great guy” and “Ted abandoned his son.”

Believe…that people won’t think too much about Ted abandoning his kid.


Yes, they tried, and managed to distract us all with shiny things for the 1st two seasons, but Nate had brought it to the forefront at the end of season two: “go home to your son.”

In the penultimate episode of season three, Ted has it out with his mom, who finally gets around to telling him what everyone else should have been saying, go be with your son. Ted claims that he’s afraid to get close to Henry because Henry will eventually leave him, as children tend to do when they grow up. This is connected to the fact that Ted’s dad killed himself when Ted was 16, so he has abandonment issues.

As far as attempts to justify Ted’s choice, that was certainly an attempt to justify Ted’s choice.

Ted’s fear of connecting with Henry comes out of left field. It’s never hinted at on the show at any point. The fact that Henry is probably around 8 when his dad leaves makes it even harder to digest. Were there no problems for the first 8 years of Henry’s life?

Even if they’d had Ted say he was afraid to let Henry get close to him because he know that at some point he would die, it would have made more sense. It still wouldn’t have worked, but the connection would have been there.

It very much feels like the writers realized while the show was already on that they needed an explanation for Ted’s willingness to leave his kid, then struggled to fit a square peg into a round hole.

It becomes even more frustrating when you look at the show as a whole and realize that Ted didn’t need to be a father. Very little about the show would have changed had Ted just left behind his wife. In fact, it makes the show substantially better.

Yes, the show is heavy on fathers/sons, but it’s seldom applied to Ted and Henry, and Ted and Henry are never connected to the serious stories. Ted losing his father is pivotal to how he relates to the players on the team, but he doesn’t need to be a dad for that to work.

If anything, imagine if part of the reason his marriage fell apart is because he kept putting a wall up whenever Michelle talked about starting a family. Maybe that wall is what drove them apart. Being a surrogate father to his players was the safe way for Ted to be a dad.

They even tried to sell the importance of Ted and Henry thematically in the finale by showing us Jamie and his dad and Nate and his dad being all friendly with each other after Ted goes back to Henry. Ted’s relationship with Henry is nothing like those other two, but they’re all fathers and sons, right, so they must go to together?

“Ted Lasso” was always going to sputter out. The fact that it gave us two great seasons is a testament to everyone who worked on it. But this ending was inevitable and the signs were there from the start.

There has to be more to The Magicians’ season 4 finale

I was left with two possibilities, then: Quentin was really gone, which carried its own issues, or the creators of the show were going to extreme measures to make us all think he’s gone.

Where to even begin?

I cried. I cried even though I “knew” that Quentin Coldwater’s death would not be permanent. Alice came back from the dead. Penny died and he’s still on the show. Quentin would be back.

The signs were there, too. There were bits and pieces throughout the finale that suggested Quentin would return.

Then I went online.

I went online and saw interview after interview with the producers of the show and Jason Ralph himself in which they claimed that Quentin was really dead and that Jason was leaving the show. This had been in the works all year, they said, but they’d kept it a secret even from the other actors.

I was left with two possibilities, then: Quentin was really gone, which carried its own issues, or the creators of the show were going to extreme measures to make us all think he’s gone.

Why It Didn’t Work

I’ll start with the former since the latter could be entirely off the mark.

So was Quentin’s death a problem? Why were people so upset beyond seeing a character they loved (and related to) die?

The White Guy

Show creators Sera Gamble and John McNamara have said that Quentin’s death flips the traditional idea of fantasy stories having white male protagonists. They are right that white men are usually the stars of these stories, although honestly they’ve historically been the stars of most stories that get distributed to the masses. But they’re not right that Quentin’s death is a response to that.

Even if you ignore the fact that Quentin has done very little all season, there’s the simple fact that they’re leaving off a descriptor with regards to the traditional protagonist: straight. The lead is almost always a straight white male.

That wasn’t Quentin.

All they’ve done is kill of another gay character, which is also a horrible trope in sci-fi/fantasy stories.

The Arc

Gamble and McNamara also indicated that Quentin’s death was a good end for his arc as a character. But, again, that doesn’t really hold up.

There have been two defining stories for Quentin throughout the series: his battle with depression and his love of the Fillory books.

Let’s look at the latter one first.

Quentin doesn’t die saving Fillory or rescuing Elliot or bringing back magic. He dies stopping a librarian from getting the power to become a god. Thematically, it absolutely does not connect to Quentin in any way. He had no connection to Everett. He had no experience with the mirror world. Even his specialty of repairing minor objects doesn’t resonate. Would anyone have questioned his ability to mend the mirror if he hadnt been told his specialty?

Hell, did anyone even remember that he never found one?

Then there’s the bigger issue: Quentin’s depression and his history of attempted suicide.

This is particularly awful.

After Q dies and ends up in the underworld, he asks Penny “Did I do something brave to save my friends? Or did I finally find a way to kill myself?”

On its own, this is a hell of a thing. But it gets worse.

To answer Q’s question, Penny takes him to see his friends, who are in mourning. He gets his answer from seeing how much his friends loved him. Clearly, he did something brave to save his friends…

…what?

Flip that. If seeing that his friends loved and missed him meant he hadn’t committed suicide, then the way he could tell that he had committed suicide would be….if they didn’t love or miss him.

That is unbelievable. It’s so awful that I can’t believe it made it on the screen.

You can see the machinations that got them to that point. They really wanted Quentin to see his friends grieving his death and seemed to think they need a reason for Penny to take him there. That reason was answering his question.

But this is Penny. Why would he need a reason? Why couldn’t he have just taken Quentin to see his friends for closure?

Hell, the fact that Quentin is even asking Penny that question would suggest that his arc isn’t anywhere close to being done.

Reasons It Won’t Stick

The Metro Pass

This was the most glaring to me. Per Sylvia in s3e10, the card “takes you wherever you need to go next.” Wherever you NEED to go next, not wherever you’re sent. It’s not like people need to go to hell, they’re sent there.

You also only get a metro pass after revealing a secret that was taken to the grave, which Quentin doesn’t do. Instead he just gets a card from Penny. And remember that when Penny was first sent to the underworld he tried to get a pass so he could escape.

The Seam

The Seam plays a major role in the finale, yet this episode is also the first time we’ve ever heard about it. You would think that we would have come across it given how much we’ve seen of the Mirror World in the past two years. The fact that Quentin and Josh figured out what it was in such an unnatural way doesn’t help make its inclusion seem any more organic.

What is The Seam? It’s the space between this universe and the anti-verse “where everything’s all dead.” The Mirror World was created from a leak between the living world and the dead one.

In other words, Quentin died in the space between the land of the living and the land of the dead.

Reunion with Alice

From a storytelling standpoint, Quentin reconciling with Alice before he died doesn’t work particularly well.

The fact that they got back together at all was a point of contention for many fans given that Quentin had asked Elliot to be with him. What many forgot, however, is that while we knew that Elliot regretted saying no, Quentin did not. He still believed that Elliot was unwilling to be in a relationship with him. And Q obviously still had feelings for Alice, so…

The question, though, is what did their reconciliation add to the story?

What it added was the potential drama of Elliot’s return, when he was ready to finally give it a go with Quentin only to find Q back with Alice, to find that he might have missed his window. So does he tell Quentin that he realized he made a mistake even though he knows that will put Q in a horrible position? Or does he keep it to himself? Knowing Elliot, probably the latter. Regardless, it would have made for great, heart wrenching drama.

But now that will never come to pass, not if Q’s death sticks.

Did Quentin and Alice need to be back together for her to be that upset when he died? Not at all. We already knew how she felt about him.

Would Quentin not have sacrificed himself if they weren’t back together? Yes, he would have, because he didn’t sacrifice himself to save her, specifically.

Then what was the point? To mess with the audience?

Even worse, what if it was to complete Quentin’s arc, as they said — that being with Alice somehow “cured” his depression. Because that is a horrible idea.

No, if we’re looking at story reasons for their reunion, then Quentin has to return.

Where and When

At this point, I honestly think we won’t see Quentin until the end of next season. I think he really will be gone, or so it will seem. I also think that the place he needs to go will end up being Fillory. Part of me thinks this will be tied in to the new ruler of Fillory and a part of that part of me thinks that maybe the Dark King is actually Quentin.

Regardless, it would make for one hell of a season finale, I just don’t know how many people will still be watching after this one.